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	<description>Constructive Film Writing by Glenn Heath Jr.</description>
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		<title>Match Cuts</title>
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		<title>The Box (Kelly, 2009)</title>
		<link>http://matchcuts.wordpress.com/2009/11/20/the-box-kelly-2009/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/20/the-box-kelly-2009/#comments</comments>
		<pubDate>Sat, 21 Nov 2009 01:31:41 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[2009 Releases]]></category>
		<category><![CDATA[Cameron Diaz]]></category>
		<category><![CDATA[Frank Langella]]></category>
		<category><![CDATA[James Marsden]]></category>
		<category><![CDATA[Richard Kelly]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4801</guid>
		<description><![CDATA[
This week at Gone Cinema Poaching, I contemplate Richard Kelly&#8217;s The Box, a bizarre and unsettling film that cannot be missed. I urge each and everyone of you to see it, despite the overwhelming indifference from many homegrown critics. You can find my review here.
Posted in 2009 Releases Tagged: Cameron Diaz, Frank Langella, James Marsden, Richard [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4801&subd=matchcuts&ref=&feed=1" />]]></description>
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		<title>Best of the 2000&#8217;s: #4</title>
		<link>http://matchcuts.wordpress.com/2009/11/20/best-of-the-2000s-4/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/20/best-of-the-2000s-4/#comments</comments>
		<pubDate>Fri, 20 Nov 2009 17:31:47 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[Best of the Decade Project]]></category>
		<category><![CDATA[Isabelle Huppert]]></category>
		<category><![CDATA[Michael Haneke]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4789</guid>
		<description><![CDATA[
- “The Best of the Decade Project” is an ongoing series of essays written by Match Cuts and The Filmist concerning the finest films of the last ten years.
Michael Haneke’s Time of the Wolf plays out like an endless nightmare tunneled through a constricting vision of the modern world slowly descending into chaos. Set mostly [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4789&subd=matchcuts&ref=&feed=1" />]]></description>
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		<slash:comments>1</slash:comments>
	
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		<title>Pontypool (McDonald, 2008)</title>
		<link>http://matchcuts.wordpress.com/2009/11/19/pontypool-mcdonald-2008/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/19/pontypool-mcdonald-2008/#comments</comments>
		<pubDate>Thu, 19 Nov 2009 15:10:37 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[2008 Releases]]></category>
		<category><![CDATA[Bruce McDonald]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4771</guid>
		<description><![CDATA[
Modern Horror films rarely take their time unfolding, usually pounding visceral material early and often. But Pontypool, the new film from Canadian director Bruce McDonald (The Tracey Fragments), slowly engulfs the viewer, containing the entire film within a single location then utilizing a complex sound design to surround the space with offscreen terror. This makes [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4771&subd=matchcuts&ref=&feed=1" />]]></description>
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		<title>Best of the 2000&#8217;s: Discussion #5</title>
		<link>http://matchcuts.wordpress.com/2009/11/16/best-of-the-2000s-discussion-5/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/16/best-of-the-2000s-discussion-5/#comments</comments>
		<pubDate>Mon, 16 Nov 2009 15:30:33 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[Best of the Decade Project]]></category>
		<category><![CDATA[Javier Bardem]]></category>
		<category><![CDATA[Josh Brolin]]></category>
		<category><![CDATA[Maggie Cheung]]></category>
		<category><![CDATA[The Coen brothers]]></category>
		<category><![CDATA[Tommy Lee Jones]]></category>
		<category><![CDATA[Tony Leung]]></category>
		<category><![CDATA[Wong Kar Wai]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4763</guid>
		<description><![CDATA[
- The following is the fifth of ten planned online discussions between MATCH CUTS and THE FILMIST regarding the best films of the 2000’s. These transcriptions have been slightly edited due to length, but the published content remains exactly as written. 
THE FILMIST:  The Brothers&#8217; Coen&#8217;s 2007 release, No Country For Old Men, is a [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4763&subd=matchcuts&ref=&feed=1" />]]></description>
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		<title>Whatever Works (Allen, 2009)</title>
		<link>http://matchcuts.wordpress.com/2009/11/15/whatever-works-allen-2009/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/15/whatever-works-allen-2009/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 16:08:04 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[2009 Releases]]></category>
		<category><![CDATA[Woody Allen]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4760</guid>
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Every time Woody Allen turns a corner toward leaving his late career mediocrity behind, he makes something like Whatever Works, a tedious, maladroit third person comedy shooter that fails to illicit any laughs or complexities. Allen returns home to NYC, jumping back across the pond after four films set in Europe, and the shift re-reveals his [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4760&subd=matchcuts&ref=&feed=1" />]]></description>
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		<slash:comments>0</slash:comments>
	
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			<media:title type="html">Glenn Heath Jr.</media:title>
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		<title>Best of the 2000&#8217;s: #5</title>
		<link>http://matchcuts.wordpress.com/2009/11/14/best-of-the-2000s-5/</link>
		<comments>http://matchcuts.wordpress.com/2009/11/14/best-of-the-2000s-5/#comments</comments>
		<pubDate>Sat, 14 Nov 2009 17:18:11 +0000</pubDate>
		<dc:creator>Glenn Heath Jr.</dc:creator>
				<category><![CDATA[Best of the Decade Project]]></category>
		<category><![CDATA[Edward Norton]]></category>
		<category><![CDATA[Spike Lee]]></category>

		<guid isPermaLink="false">http://matchcuts.wordpress.com/?p=4750</guid>
		<description><![CDATA[
- “The Best of the Decade Project” is an ongoing series of essays written by Match Cuts and The Filmist concerning the finest films of the last ten years.
The weight of costly decisions infuse every moment of Spike Lee’s 25th Hour. During the film’s daylong timeframe these moments add up to an overwhelming sense of [...]<img alt="" border="0" src="http://stats.wordpress.com/b.gif?host=matchcuts.wordpress.com&blog=2673618&post=4750&subd=matchcuts&ref=&feed=1" />]]></description>
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		<slash:comments>4</slash:comments>
	
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