After three views, just gets better and better. One of the greatest all time for sure and not much new to add to the universal love for this classic Noir. Edward G. Robinson (and his “little man”) as Keyes ignites every scene he’s in and Stanwyck is the ultimate femme fatale. Forgot the great Raymond Chandler co-wrote this. Genius dialogue that still feels fresher than anything neo-noir has given us lately.