Double Indemnity (Wilder, 1944)

After three views, just gets better and better. One of the greatest all time for sure and not much new to add to the universal love for this classic Noir. Edward G. Robinson (and his “little man”) as Keyes ignites every scene he’s in and Stanwyck is the ultimate femme fatale. Forgot the great Raymond Chandler co-wrote this. Genius dialogue that still feels fresher than anything neo-noir has given us lately.

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s