Mad Max (Miller, 1979)

Summer ’08 will be my time to revisit the old days, the hard-nosed academic days, in an effort to create a fresh piece of research/sample writing for upcoming Fall applications. I’ve set my sights on the films of Aussie George Miller, a director whose motifs and themes are becoming more crucial with each passing day – just take a look at your local gas prices. Instead of writing reviews for these films, I’ll be posting images crucial to my examination of Miller’s filmography. Here’s a few that highlight my favorite Miller motif: brutal technology framed by natural beauty, from his “debut” feature Mad Max.

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