The Walking Dead‘s six-episode premiere season felt like a snapshot of a greater program to come. From a narrative standpoint, the show successfully examined both the collective scope and individual cost of civilization’s rapid disintegration in the midst of a zombie apocalypse. While segments of season one felt incomplete and rushed, The Walking Dead always managed to pay homage to horror/western tropes while making them feel new again, even dangerous. Showrunner Frank Darabont, fired from his post in July of last year, instilled a sense of lived-in dread and solace by advocating a profoundly cinematic style of filmmaking (tracking shots, wide angles, etc.) and effects (such as lens flares) for precise dramatic pacing.