The phrase “a friend in need is a friend indeed” takes on a darkly cynical meaning in Cy Endfield’s harrowing film noir, Try and Get Me. To trust anyone and anything is to be inherently deceived. This applies to Endfield’s treatment of individual relationships, public institutions like the print media, and even the most basic considerations of modern “civilized” society. Fittingly, the film envisions small town America as an ideologically hollow place deprived of economic confidence and brimming with repressed anger. Here, the facade of camaraderie and masculinity can be ripped away in an instant causing irreparable physical and emotional damage. This is Fritz Lang territory, and not surprisingly Try and Get Me is based on the same actual event that inspired the director’s masterpiece, Fury.