– The following is the ninth of ten planned online discussions between MATCH CUTS and THE FILMIST regarding the best films of the 2000’s. These transcriptions have been slightly edited due to length, but the published content remains exactly as written.
THE FILMIST: Paul Thomas Anderson is one of those filmmakers that people seem to regard purely by his influences, for some reason or another. I think that’s a little fallacious, myself – while his inspirations are obvious, this isn’t a fault. And, with that in mind, I believe that if that is the attitude people are going to take toward his films, then surely we can regard There Will Be Blood as the best Kubrick film by someone who – well, isn’t Kubrick.
MATCH CUTS: Interesting, since most critics reference Altman when discussing Anderson. But Kubrick definitely comes to mind with Blood, especially in the opening moments where it’s just visceral images and sounds, no dialogue. Directors like PT Anderson, even Wes Anderson, always will have their detractors because their films are uncompromising and personal. There Will Be Blood is basically a beast of a film, a shifty, expansive epic that complicates ideas about family, and how religion and commerce fit in with familial relations. Continue reading