Giant (Stevens, 1956)

Texas cattle baron Bick Benedict and Maryland debutante Leslie Lynnton fall in love during their first quarrel. The disagreement revolves around nothing less than the historical and cultural sanctity of the Lone Star State itself, specifically its troubling origins involving the prolonged and violent displacement of Mexicans in favor of white settlers. Heavy subject matter for two doe-eyed young characters who’ve been shooting knowing glances at each other for an entire day. What’s most interesting about their frank war of words is that Leslie’s thunderclap of criticism stems not from Eastern judgement or resentment, but her seemingly organic attraction to the tall and studly rancher visiting her family’s expansive rural abode to purchase a prized black stallion. It’s a form of flirting that also acts as progressivism, challenging Bick to consider his own social identity and personal values while also arousing his romantic interest. Needless to say, the dude is knocked out cold, simultaneously head over and heels and enraged.

Full Review at Not Coming to a Theater Near You.